Holden Caulfield is Lost in The Catcher in the Rye Essay

In the novel The Catcher in the Rye, the leading character, Holden Caulfield, emerges as an adolescence lost in his own private world of pain and suffering, yet ostensibly he was able to provide himself with all the luxuries and splendors of American society. Holden is presented as a failure who struggles to stay in at least one of the four schools hes been kicked out of. This can reflect that Holden cant manage to get by in life. Throughout the book, it is obvious that Holden is running from so many things such as growing up, reality and people who are phonies. It seems that Holden is confused and trapped in memories from moments past, that he is dealing with loneliness and isolates himself as a form of protection. Not only that but he†¦show more content†¦Holden seems to be lonely and this can reflect back to Allies death. He doesnt really have anyone to catch him from falling into the ravine, off the rye field the way he would catch the kids. He doesnt have anyone to moti vate him to succeed. The reader is taken back and forth between Holdens remembering and re-living the traumatic pain of his past with his family and the complete disconnect he has experienced. Allies death changed all of Holdens family as well as himself. Its almost as if when Allie died, the household died. When Holden broke the windows in the garage, on the night Allie died, he said, My hand still hurts me once in a while when it rains and all, and I cant make a real fist... I mean Im not going to be a goddam surgeon or violinist or anything anyway (Salinger 39). This disconnect Holden is experiencing between him and his parents is causing him to lose motivation to succeed in school and in life. According to Freud, its Holdens unconscious state of mind that drives his defense mechanism to seclude himself from his parents and actually other adults as well. Much like J.D. Salinger. Salinger lived in seclusion in Cornish, New Hampshire for his last fifty-one years of a lonely life. H e wanted to live a private life and didnt want to be bothered. The defense mechanism is In Freudian theory, the reality-distorting strategies of the ego to prevent awareness ofShow MoreRelatedThe Catcher in the Rye Essay1442 Words   |  6 Pagescharacteristics of Holden Caulfield, the adolescent protagonist hero of J.D. Salinger’s The Catcher in the Rye and illuminate the reasons as to why this prototype of brooding adolescence, displaying a rather uber-cool style of disaffection, disenchantment and disillusionment became an indispensable figure of interest, in literary circles as well as popular culture. The paper seeks to take issue with the wider dimensions attached to the ‘incapacitation and debilitation’ Holden is often accused ofRead MoreCatcher In The Rye Analysis1434 Words   |  6 Pagescontaining heroic protagonists; Holden Caulfield of The Catcher in the Rye is not one of these classic heroes. The article Some Crazy Cliff by Arthur Heiserman and Jam es E. Miller Jr. provides one interpretation of the novel suggesting that the protagonist is unique compared to others commonly found in American literature; most heroes are seeking acceptance while Holden is seeking something within the society he is trying to leave. The novel follows Holden Caulfield, a young boy who recently flunkedRead MoreCatcher In The Rye Essay example1672 Words   |  7 PagesLooking In Despite the debate that may wage on regarding the status to be afforded J. D. Salingers writings, the authors books have not quietly faded into obscurity. Although published almost a half-century ago, the authors most famous work, Catcher in the Rye, enjoys almost as healthy and devoted a following today as the book did when it was first published. Because of a self-imposed exile that began almost at the same time the Salingers career was just taking off, much of the substance of theRead MoreCriticism Of Salinger s The Rye1382 Words   |  6 PagesCRITICISM Salinger’s Catcher in the Rye has been into continuous dispute and controversy since its publication in 1951. Some critics think that Salinger s narrative of the human plight is engrossing and enlightening, yet incredibly depressing. The leading character, Holden Caulfield, serves as the basis for critical discussion due to his psychological conflict. Salinger s portrayal of Holden, which encloses incidents of dejection, nervous breakdown, impulsive spending, sexual exploration, andRead MoreCatcher in the Rye984 Words   |  4 PagesENG 4U1 June 12, 2012 Catcher In The Rye Essay A role model can be can classified as one of many things, but what is it exactly that distinguishes a good one from a bad? The novel, The Catcher in the Rye, written by J.D Salinger is utilized to present the character Holden Caulfield as an unsuitable role model. Firstly, Holden relies on drugs for a way out of his problems instead of facing them. Also, he cannot find his place in the world, which arises, from his natural inclination to lie andRead More J.D. Salinger’s The Catcher in the Rye1435 Words   |  6 Pagescharacteristics of Holden Caulfield, the adolescent protagonist hero of J.D. Salinger’s The Catcher in the Rye and illuminate the reasons as to why this prototype of brooding adolescence, displaying a rather uber-cool style of disaffection, disenchantment and disillusionment became an indispensable figure of interest, in literary circles as well as popular culture. The paper seeks to take issue with the wider dimensions attached to the ‘incapacitatio n and debilitation’ Holden is often accused andRead More 1950s Culture Exposed in The Catcher in the Rye Essay1361 Words   |  6 Pages1950s Culture Exposed in The Catcher in the Rye    J.D. Salingers The Catcher in the Rye is a remarkable book that gives readers a unique and perhaps gloomy perspective of the 1950s through Holden Caulfield, a cynical and peculiar teenager. Through The Catcher in the Rye Salinger describes important aspects of the 1950s. Salinger emphasizes several key characteristics of the 50s and criticizes them through Holden. In addition, Holden Caulfield is a very interesting character withRead MoreDaisy Caulfield : Minor Character1424 Words   |  6 PagesA minor character in The Catcher in the Rye, written by J.D. Salinger, is Phoebe Caulfield, the main character, Holden’s younger sister. Holden describes his sister as not only the smartest kid in the world, but also a great dancer, and a very sympathetic listener. She’s also known as the funniest little sister ever. She is first introduced to readers when Holden says: â€Å"You d like her. I mean if you tell old Phoebe something, she knows exactly what the hell you re talking about. I mean you canRead More Catcher in the Rye Essay: Levels of Meaning902 Words   |  4 Pages Levels of Meaning in The Catcher in the Rye nbsp; Protected by a cocoon of naivetà ©, Holden Caulfield, the principal character in the novel, The Catcher in the Rye, therapeutically relates his lonely 24 hour stay in downtown New York city, experiencing the phony adult world while dealing with the death of his innocent younger brother.nbsp; Through this well-developed teenage character, JD Salinger, uses simple language and dialogue to outline many of the complex underlying problems hauntingRead More Catcher in the Rye Essay: Holden - The Misfit Hero2101 Words   |  9 Pagesof The Catcher In The Rye      Ã‚     The Catcher In The Rye by J.D. Salinger was published in 1951. A recurring theme in J.D. Salingers stories concerns people who dont fit in with the traditional American Culture. Salingers misfit heroes, unlike the rest of society, are caught in the struggle between a superficial world and a conscious morality (1 Wildermuth). In his attempt to create a new and realistic portrayal of the times, Salinger first, effectively creates Holden Caulfield, the main

What advice would you give the actor playing the part of Othello at 3 key points in the play Free Essays

string(68) " has injected into Othello may well spread to be even more violent\." ‘Othello’ is a typical example of a Shakespearean play, in which a noble, well-respected individual is reduced to a mere mortal, all because of a fatal flaw in their personality. ‘Othello’ tells the story of a highly respected army general, who is happily married, and is used to the high life, but the cause of his downfall, is that while training and working in the army, he did not learn the true meaning of love and trust. This left him very gullible to the deceitfulness and lying of others. We will write a custom essay sample on What advice would you give the actor playing the part of Othello at 3 key points in the play? or any similar topic only for you Order Now ‘Othello’ is set in Venice, which at the time was the height of glamour and culture. It was set here to give the audience an idea of just how much of a commercial center one place can be. Nowadays, we could associate the then popular Venice, to a modern day Paris, or Sydney, because these are the places that are the height of ‘good living’, and are developing new ideas all the time, just like Venice was over 400 years ago. Othello was a black, well-trained army general. The colour of his skin left him vulnerable to racism, as this was very frequent at the time. He would sometimes be referred to as ‘the moor’, and would be regularly teased, all because of the colour of his skin. Othello was happily though married though, with Desdemona, even though the age difference between the two was reasonably large. In the end though, it was his innocence to marriage, which was the cause of his undoing. Othello, being an army general, was very well respected throughout Venice, but it was no surprise that someone would quickly become jealous of his success, and try to snatch it away from him. It could only be the one person, who was aware of his weaknesses and whom spent the most part of his life along side Othello. Lago. Throughout the play, I should want the audiences opinion of Othello to change. At first I would like the actor playing Othello to act very self confident, and very calm under pressure. This will show the audience that at first Othello was a great leader, and could handle almost every situation in a relaxed and chilled out manor. After Lago’s rumours and hints about Desdemona though, I should want the audience’s opinion of Othello to change. Instead of appearing calm and confident, I would like the actor playing Othello to stutter and repeat words, and appear as if he loses confidence about himself. Acting like this, the actor playing Othello, will now panic instead of staying cool, and speak unconfidently instead of his normal poetic and fluent style. In the middle of sentences, he will stop to think about what he is going to say, because he is unconfident of his own ability to choose the right words. This will show the audience how just one flaw in your character, can deteriorate your life away, until you do not believe in yourself. This is what happened to Othello. At the beginning of the play, in Act 1 Scene 2, Othello is confronted by Brabantio, this is because Brabantio thinks that Othello has been ‘tupping’ his daughter, Desdemona. This scene shows how calm Othello can be under pressure, as he reacts to Brabantio’s abuse, in a chilled out way. He says â€Å"Where it my cue to fight, I would have known it without a prompter†, this emphasizes just how controlled Othello is, and to show this, I would want the actor playing Othello to say these words very lightly and calmly, and with this the audience should see quite clearly that Othello has a very controlled personality. Othello also shows how calmly he acts under pressure, when he instructs the soldiers accompanying Brabantio to â€Å"Keep up your bright swords, for the dew may rust them†, this is another great example of how in control Othello is, because instead of reacting like any other person, and threatening Brabantio, he instantly deflates the atmosphere with these words. With this, comes a very effective direct response to Brabantio. This is shown well when he states, â€Å"Good signor you shall more command with years than your weapons†. With this line, Othello makes it clear that he has a lot of respect for Brabantio, even though Brabantio had very recently insulted Othello with abuse such as â€Å"That thou hast practis’d on her with foul charms†, and â€Å"Abus’d her delicate youth with drugs and minerals†. During this scene I should want the audience to see the good side of Othello. I would want them to see that Othello can be a very controlled and clever person, the person playing Othello should show this by keeping his lines fluent and poetic, and using light gestures and body language, in order to keep the situation between him and Brabantio from spilling over. He should seem to pick his words carefully, so that he could not possibly give one reason for Brabantio to feel at all threatened or mad with him. In this scene Act 3 Scene 3, Lago is planting the seeds of doubt in Othello’s mind, regarding Desdemona, and her actions behind Othello’s back. With this, Othello’s mood changes, and so he becomes uncertain and acceptant of Desdemona’s actions. Then, at the end of the scene, Lago has told Othello so many lies, that he explodes in anger, and threatens Desdemona’s life. The audience should then see the contrast in personalities of Othello, and the deterioration in which they have taken throughout the last two scenes. The actor playing Othello repeating words unnecessarily, and stuttering in the middle of sentences should show this. At the start of this scene, Lago can sense that his ploy his working, â€Å"The moor already changes with my poison†. This shows that Lago has detected a change in personality of Othello, and that the poison he has injected into Othello may well spread to be even more violent. You read "What advice would you give the actor playing the part of Othello at 3 key points in the play?" in category "Papers" Othello then enters the scene, and instantly the audience should be able to see the difference in the way in which he acts. One of his first sections speeches contains the word â€Å"farewell† no more than three times. This shows that Othello is suffering under the stress of Lago’s rumours, and so is beginning to repeat words over and over again. Just before that Othello had broken into a traumatised speech, â€Å"I swear ’tis better to be much abus’d than but to know’t little†. This means that he would rather be beaten, than know only a part of what Desdemona is doing behind is back. This shows how much he fears that Desdemona is having an affair. At this point the audience should be seeing the despairing side of Othello, his language has now changed from calm and poetic, â€Å"My parts, my title, and my perfect soul shall manifest me rightly†, into a desperate cry for help and certainty, â€Å"I think my wife be honest, I think she is not†. He then grows to accept the rumours, and so becomes aggressive, â€Å"Villain, be sure to prove my love a whore†. This shows that now Othello thinks Desdemona is cheating on him, he must prove her guilty, this is a sign of acceptance from Othello, and so now he will believe virtually anything Lago tells him. Lago takes this opportunity to anger Othello further with an even bigger lie than before, he goes on to say that he â€Å"lay with Cassio†, and during his sleep Cassio cried out, â€Å"Sweet Desdemona, let us be wary, let us hide our love†. Then he says that Cassio â€Å"kissed me hard, as if he plucked up kisses by the root†. Othello then reacts to this lie with some imagery, â€Å"O monstrous, monstrous! † and â€Å"I’ll tear her pieces! † This shows that Othello has believed everything Lago told him, and is now even angrier than before. Then Lago tells his final lie, this will finish off Othello, and make him so that he will never love Desdemona again, it is about Othello’s prized possession, a red handkerchief. Lago tells Othello that he has seen the handkerchief in the possession of Cassio. This causes Othello to react ruefully, â€Å"If that be†¦ † he says. This shows that Othello has had enough of Desdemona, even though he has not witnessed any of these ‘happenings’. He says that line, leaving the audience to wonder what Othello could well do to Desdemona. And then, in his anger and confusion, he says the line â€Å"O blood, blood, blood†. Repeating the word blood over and over again, can only make the audience think of what is on his mind. The actor playing Othello should use strong body language when angry, bold gestures could be used to indicate that Othello is feeling very mad, and is liable to over-heat at any given time. In this scene Othello discovers that Lago has being lying all of the time, but he has already killed Desdemona. Othello, at first, believes the rumours about Desdemona, â€Å"She was false as water†, where true. Then Othello confronts Emilia about her husbands actions, at first he accuses Lago, â€Å"Thy husband knew it all†, but then, Othello realises that Lago is his best friend, and so convinces himself that Lago was telling the truth, â€Å"My friend, thy husband, honest, honest Lago†. At this point in the play, Othello is feeling sorrow for himself, and how badly his relationship with Desdemona is deteriorating. To show this to the audience, the actor playing Othello must speak unconfidently, and in a quiet voice, this way the audience should be able to see how Othello’s mood has changed from the start of the play, when he has confident and calm. Now that Othello has discovered Lago’s lies, he feels a strong remorse towards him, â€Å"Are there no stones in heaven but what serves for the thunder? Precious Villain! † Othello should now acting as with remorse towards Lago. For the audience to see this, the actor playing Othello should, when talking about Lago, curse his words, and become aggressive, snappy and violent. The audience should now be seeing how aggressive Othello could be, this a big difference from the quiet Othello that they have just witnessed minutes previously. Now that Othello has realises what he has done, he pleads the demons of hell for torture, â€Å"O cursed, cursed slave! Whip me, ye devils†. With this implied, Othello now counts himself as the most unfortunate of men, â€Å"That’s he that was Othello†. Even being an army general, Othello cannot find it in himself to kill Lago, â€Å"If that thou be’st a devil, I cannot kill thee†. This shows the audience just how good friends Othello and Lago used to be. Even though Lago has ruined Othello’s life completely, Othello still cannot kill Lago. Still though, Othello mourns the death of Desdemona, saying â€Å"For in my sense ’tis happiness to die. † Cassio then tells Othello of how â€Å"he himself confessed†, talking about Lago steeling Desdemona’s handkerchief. Othello cannot believe himself, that he thought Lago’s story to be true, he replies â€Å"O fool, fool, fool! â€Å", referring to his own mistake. Othello is now in a state of devastation, and with this he says, â€Å"I kiss’d thee ere I kill’d thee; no way but this, killing myself to die upon a kiss†. With this, Othello gives the corpse of Desdemona one, final kiss, and kills himself, falling upon Desdemona in peace. At the end of the play, the audience should be feeling sorry for Othello, because of the tragedy he has been lured into. With the drama and sadness that his final line brings, this is the only possible feeling that the audience could possibly have towards Othello. His action throughout the final phase of the play, should have been acted out with no energy, because at this time in the play, Othello has been mentally and physically drained. The audience should be able that, through no fault of his own, the fatal flaw in his character was exposed. How to cite What advice would you give the actor playing the part of Othello at 3 key points in the play?, Papers

Forrest Gump Essay Example For Students

Forrest Gump Essay In the 1990s, Paramount Studio produced some box-office hits and one of which, Forrest Gump, is a immense victory that won the Oscar for Best Picture for 1994 and gained over $ 677 million dollars of box office throughout the universe. The movie is based upon the novel by Winston groom and directed by Robert Zemeckis ; it portrays the prima function Forrest Gump ( played by Tom Hanks ) , who is a normal American cat, with an IQ of 75 so called as imbecile, but successfully acquiring through his climbing nightshade childhood, superb football calling at montage, and weather public presentation in the ground forces every bit good as a luck in his shrimping concern. Forrest s narrative genuinely inspires the full American with his important accomplishments and positive attitudes towards life ; in add-on, the movie reveals a history of America over the past decennaries in which take legion historic events, stand foring the eventual American dream in a land of chance. Forrest Gump is entirely masculine movie and Forrest Gump is no uncertainty the supporter, two of import females, his female parent Mrs. Gump and his best miss friend of all time Jenny, nevertheless do show their thoughtful images in the movie, doing a great impact on Forrest s interior universe and life. Consequently, this article would wish to concentrate on the above-named adult females and research how they influence Forrest with their alone characters and values. Furthermore, a deeper degree of scrutiny linked to patriarchal myths and values in societal context will be besides proposed to show the position of the 1990s American society. With the purpose of reasoning these points, some movie theories should be surely applied to the narrative in Forrest Gump. It has been prevailing since the seventiess that movie critics and bookmans have turned from semiologies to psychoanalytical impressions that been loosely utilised into the movie analysis. Consequently, it is important so to use these methods into this article, theoretically turn toing feminist arguments in footings of the texts in Forrest Gump. Furthermore, it can see through how the hegemony is constructed in a patriarchal society in relation to feminism by the analysis within Marxism discourse. Outline1 Representations of Women in Forrest Gump2 Psychoanalysis Concepts and Spectatorship Issues3 Marxist Criticism and Cultural Surveies4 Decision5 Mentions Representations of Women in Forrest Gump The two females are depicted in the movie: one is Forrest s female parent Mrs. Gump ( by Sally Field ) , who makes great part to Forrest s life ; the other one is Jenny Curran ( by Robin Wright ) , as Forrest says about her: she was my most particular friend, my lone friend . In general, these two females can be identified as stereotyped representations of adult females with their societal, cultural and sexual definition, highly act uponing Forrest into another representation of work forces in a patriarchal society as Hollows, Hutchings and Jancovich ( 2000, P230. ) states that It is a historical fact that adult females have formed an of import portion of the audience for commercial amusement movies . Mrs. Gump appears to be a individual female parent of Forrest. Harmonizing to how Forrest values his Dendranthema grandifloruom, she is a really smart lady , responsible, weather, and independent. She is good at pull offing her belongings familial from her household, leasing all the empty suites to do a life. Regardless Forrest s low IQ, Mrs. Gump still insists on her boy s go toing public school instead than a particular school as she says that my male child Forrest is traveling to acquire the same chances as everyone else ; She tells Forrest that stupid is as stupe does , promoting Forrest turning up to a normal and confident individual. On the other manus, she truly understands that life is full of ups and downs, giving Forrest lessons such as life was like a box of cocoas. You neer know what you re gon na acquire . To Forrest, Momma is ever an first-class theoretical account he learns from. Even though she is deceasing, Mrs. Gump calmly says to her boy it s merely my cli p Do nt be afraid, decease is merely a portion of life. It s something we re all destined to make. I did nt cognize it, but I was destined to be your mama. I did best I could . Generally, the character of Mrs. Gump is a strong and independent female presence. However, her being is more than for herself ; sing all the manner through Forrest s narrative, Mrs. Gump becomes a form of independency which can be seen as replying to male desires and anxiousnesss. Claire Johnston ( 2000 ) , one of the first movie critics to acknowledge the movie text as a semiotic mark system, develops Barthesian semiotic point of position into her feminist innovations that the adult female exists as a construction in the text of classical Hollywood movies: Iconography as a specific sort of mark or bunch of marks based on certain conventions within the Hollywood genres has been partially responsible for the stereotyping of adult females within the commercial film in general, but the fact that there is a far greater distinction of work forces s functions than of adult females s functions in the history of the film relates to sexist political orientation itself, and the basic resistance which places adult male inside history, and adult female as ahistoric and ageless. ( 2000: 23 ) My Inspirations EssayMarxist Criticism and Cultural Surveies Along with psychoanalytical, feminist and cultural unfavorable judgment, Marxist unfavorable judgment is an exceptional attack to expose a aggregation of concealed significances in movies instead than discoursing representations of adult females or gender from a sociological position. Harmonizing to Marxist theory, the movie represents the Repressive State Apparatus as Forrest is traveling through his life: the blackwash effort on George Wallace, and the blackwashs of John F. Kennedy and Robert Kennedy ; the battles over civil rights and the war in Vietnam. At this point, Lieutenant Dan ( Gary Sinise ) ab initio appears as a strong portraiture in the ground forces with a long, great military tradition , but ends up losing his both legs in the war so being encouraged systematically by Forrest s field political orientation, viewing audiences therefore see he finally finds the existent significance of the life with his new mental legs, which convey a positive message towards the ideological issue that all the Americans wonder like Forrest Gump: what s my fate? Regardless its nature of mute yet unseeable, political orientation by and large defines the shared beliefs and values held by a civilization, it hence enormously influences upon the civilization with its unseeable power. To some extent, political orientation signifiers the manners of people think and things expression, which is so called hegemony. In the movie, either Mrs. Gump positively disciplines Forrest that life is a box of cocoas or Jenny leaves him a negative advice that if you re of all time in problem, do nt seek to be courageous Merely run off , Forrest merely takes them at the unconscious degree ; however, running becomes his get downing point to success and even leads a big group following behind him. Consequently, whatever the representation of adult females intending to this male supporter in the classical narrative film, or how he additions the phantasies of voyeurism and fetichism in visible radiation of depth psychology, it eventually appears to viewing audience s that Forrest s narrative asserts possibility and trust even though troubles, solitariness, and decease, as he says that to set the yesteryear behind you and travel on . Consequently, behind the images on screen, Forrest Gump reflects positive values that Americans should keep ; the chief characters more or less, present these ideological province setups in footings of Marxism unfavorable judgment. The movie non merely entertains audience with titillating spectacle and pleasance, besides offers its suggestion to audience with respect to the society and civilization they are positioned. Marxism and feminism examine movie surveies separately ; these discourses in fact have same desire to dispute the power structures in a patriarchal society. Meanwhile, both of them link to each other on the footing of psychoanalytic impressions. Analyzing the chief females of the movie with feminism theory is surely utile to research the ways in which political orientation has though been structured in the cultural context. Decision To sum up, Mrs. Gump and Jenny, the two females who relate to the supporter Forrest Gump, have been largely examined with the mechanism of feminist discourse in the article. By traveling through the feminism analysis with their representation and gender in the movie text and ideological deduction in footings of Marxism theory, we can reason the movie, as Comolli and Narboni ( 2000 ) province: on the one manus it is a peculiar merchandise, on the other manus, as a consequence of being a material merchandise of the system, it is besides an ideological merchandise of the system . Mentions Comolli, J. and Narboni, P. ( 2000 ) Cinema/ideology/criticism , in in Hollows, J. , Hutchings, P. and Jancovich, M. ( ed. ) The Film Studies Reader. London: Arnold Presser. Cook, P and Johnston, C. ( 1990 ) The Place of Woman in the Cinema of Raoul Walsh , in Patricia Erens ( ed. ) Issues in Feminist Film Criticism, Bloomington: Indiana University Press. Hollows, J. , Hutchings P. and Jancovich, M. ( 2000 ) , The Film Studies Reader. London: Arnold Publisher. P 230. Johnston, C. ( 2000 ) . Women s Cinema as counter-Cinema , in E.A. Kaplan ( ed. ) Feminism and Film. Oxford: Oxford University Press, P22-23. McCabe, J. ( 2004 ) . Feminist Film Studies: Writing the Woman into Cinema. London: Wallflower Press. P24. Mulvey, L. ( 1989 ) . Fears, Fantasies and the Male Unconscious or You Make nt Know What is Happening, Do You, Mr. Jones? , in Visual and Other Pleasures. Basingstoke: Macmillan. P8. Mulvey, L. ( 2000 ) . Ocular Pleasure and Narrative Cinema , in Hollows, J. , Hutchings, P. and Jancovich, M. ( ed. ) The Film Studies Reader. London: Arnold Presser. Dongjie Duan / Performing and Screen Arts10